Sync licensing contracts — what they cover and how to negotiate them
Scope, territory, duration, fees, and how to clear both composition and master rights when you control both.
Sync can outperform years of streaming from a single well-scoped licence. The contract decides fee, territory, media, term, exclusivity, and what happens after the licence ends.
Two licences in every sync deal
The sync licence clears the composition for use with picture. The master use licence clears the specific recording. Label-side deals often split those across publisher and label; independents who control both can clear one-stop — a real advantage on tight supervisor deadlines.
Key agreement elements
- Track — title, ISRC, artist; specify which master if multiple exist
- Production — named film, campaign, series, or show
- Usage scope — territory, media (theatrical, TV, online, social, ads), duration of use in the cut
- Exclusivity — exclusive licences command higher fees
- Fee and payment schedule
- Term of the licence and renewal
The upfront sync fee is separate from PRO broadcast royalties that may continue when the show airs.
TYFRA workflow
Sync templates with variables, Vault-linked metadata for title and rights-holder fields, Finance for fee tracking, and signed PDFs for your sync folder.
More in this guide
Explore other music contract topics
Related articles
Short articles that answer specific search questions around rights and agreements.
Frequently asked questions
Your data flows with you across TYFRA
These aren't separate apps. Your tracks, metadata, splits, contacts, and conversations stay connected—so every tool in the TYFRA suite can work from the same source of truth.
Document every agreement in one place
Templates, e-signatures, audit trails, and links to your Vault catalog — inside TYFRA Contracts.